Launched back in 1976, the Canon AE-1 broke new ground for 35mm SLR cameras by being the first camera to feature a central processing unit (CPU).
Together with a massive advertising campaign featuring renowned golfers and tennis players, the AE-1 was a huge success for Canon, selling over a million units in its eight years of operation.
The AE-1 was also a turning point for Canon. Prior to the advent of the AE-1, Canon’s line of SLR cameras appealed primarily to amateur photographers, but the advent of the AE-1 and its electronically internals meant that Canon could offer more advanced features that were not available at this price point before.
|Production:||from 1976 to 1984|
|Exposure control:||Manual, shutter priority|
|Lens mount:||Canon FD mount|
|Shutter speed:||Mechanical 1/1000 to 2 seconds, plus bulb|
|Exposure metering:||Center weighted|
|Battery:||2x 1.55V SR44 / 1.5V LR44 batteries|
|Dimensions:||141 x 87 x 47.5 mm|
The Canon AE-1 is not only the first camera with a CPU, but also the world’s first 35mm SLR to feature a shutter-priority exposure mode (AE stands for automatic exposure control).
Many competing brands offered an aperture-priority exposure mode on their high-end SLRs, but due to the lack of information available in the viewfinder, there was invariably the risk of the camera choosing a shutter speed lower than desired, often resulting in a waste of time. film frame because it was too blurry.
However, the AE-1 shutter priority mode was a huge advantage for more beginner photographers, as you always knew how long your shutter speed would be while the camera was adjusting aperture.
Canon went even further with the launch of the AE-1 program in 1981. The successor to the AE-1, the AE-1 program, had a program auto exposure mode in which the camera set both aperture and shutter speed.
The maximum shutter speed on the AE-1 was a little disappointing, with a maximum shutter speed of 1/1000th of a second, although the optional Canon Winder A provided motorized frame-by-frame advance to a dizzying 2fps.
The AE-1 used a Canon FD lens mount, suitable for both FD lenses and the New FD mount (often referred to as FDn). Earlier FD lenses have a chrome-plated swivel ring on the bayonet, while the FDn lens is fully inserted into the camera and then rotated to lock it in place.
The 50mm kit
The kit lens it came with was nothing less than the 50mm f/1.8, an all-terrain lens with which Canon achieved a standard for cameras in that range.
It was decently built mostly of metal, years later canon would change the build materials of their entry 50mm, increasingly replacing metal with plastic.
Today these canon lenses have managed to maintain a certain cult following among fans, especially the world of cinema.
You should see this great report on canon FD lenses:
Canon FD & K35 – Legendary cine lenses on a budget – Epic Episode #14The ultimate guide to Canon FD – with history and versions, similarities in image and design, coatings, aspherical elements and radioactivity, and how to develop a set on a budget.
We also explore the Canon K35… so:
Are there Canon FD lenses that give us the look of the Canon K35 in a somewhat affordable way?
We talk to an award winning filmmaker that uses Canon FD and test the most important lenses. We DIY declick and change the mount, and test sophisticated modding by Simmod. We heal Thorium tint, discuss the value & where to buy, and explain how to spot counterfeit lenses.
We will show you how we did the Aliens effect shots… using Filmconvert Nitrate.
To access our tutorial , please become a member.
After Effect files, Filmconvert settings, footage (no copyrighted material included!) are available for Lynch or Kubrick members.
Member find their links here:
Here are links to the partners, gear & software used in this video. Some links are affiliate links (it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Filmconvert “Nitrate” https://bit.ly/FCNitrate
The code “MEDIADIVISION” will give you 10% off
Simmod – service and modding https://bit.ly/simmod_FD
Tilta Mini Matte Box https://bit.ly/tiltaminimattebox
P+S Technik: https://www.pstechnik.de/
Rent a rehoused Canon K35 set (USA)
Footage of new FD L lens and S.C. lens by Patrick Newman
Photos of new Chromenoses by Dan Edser
Watch the original Aliens movie
Canon FD S.S.C. 50mm f1.4
Canon nFD 50mm f1.4
Canon FD S.S.C. 55mm f1.2
Canon nFD 24mm f2
Canon nFD 85mm f1.8
Canon nFD 35mm f2
Canon nFD 24mm f2.8
THE DREAM SET
Canon FD S.S.C. 35mm Concave f2
Canon FD S.S.C. 55mm Aspherical f1.2
Canon FD S.S.C. 85mm Aspherical f1.2
Canon FD S.S.C. 24mm Aspherical f1.4
THE NFD L SET
Canon nFD L 24mm f1.4
Canon nFD L 50mm f1.2
Canon nFD L 85mm f1.2
FD–L (SL) https://ebay.us/K6pLYr
FD–Fuji X https://ebay.us/ylRnGb
FD–L (SL) https://ebay.us/IKiCVB
Shapeways kit (not tested) https://bit.ly/shapewaysFD
DIY Gearings http://bit.ly/followfocusgears
15% discount code MEDIADIVISION
Light Grease https://ebay.us/J3ks0a
Heavy Grease https://ebay.us/Iyfsel
Lens Cleaning Kit https://ebay.us/bzhXeJ
“The Internal Conversation” by Oliver Dowie
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CANON FD Compendium
#CanonFD #CanonK35 #vintagelenses @Tiltamax
00:00 - Intro
02:43 - Aliens Spoof
03:49 - Intro to Canon K35 & FD
09:30 - Aliens Spoof 2
10:40 - Canon FD Overview
14:20 - Coatings
15:35 - What is Aspherical?
18:07 - Aliens Spoof 3
19:17 - Building a Set
20:22 - Cinematic Test “Limbo”
22:40 - FD 85mm Asph. f1.2
25:39 - FD 55mm Asph. f1.2
28:04 - FD 35mm Concave f2
30:43 - FD 24mm Asph. f1.4
33:39 - FD 55mm f1.2
36:30 - FD 50mm f1.4
38:09 - nFD 50mm f1.4
40:00 - Battle of the 50mm
40:24 - nFD 24mm f12
42:38 - DoP insights : Benjamin Dowie
46:08 - Aliens Spoof 4 & VFX Breakdown
53:00 - Modding
1:01:15 - DIY modding guide
1:06:24 - Mini Matte Box
1:08:39 - Thorium&Radiation
1:14:32 - Healing tinted glass
1:16:16 - Buyers Guide
The introduction of the CPU
With the introduction of the CPU, Canon took the opportunity to break the rule book and design the AE-1 from scratch. Thus, the AE-1 consisted of five main and twenty-five secondary nodes, which allowed Canon to fully automate the entire production process.
With the introduction of the CPU, Canon took the opportunity to break the rule book and design the AE-1 from scratch.
Looks can be a bit deceiving, however, and while the AE-1 appears to be based on an all-metal chassis, Canon has opted to use a decent amount of structural plastic in its further movement to keep costs down.
While the top plate may look like metal, for example, it is actually an injection-molded thermoplastic polymer finished in either satin chrome or black enamel.
Don’t let this be a big deal, as the viewfinder is nice and big – it will definitely make many optical viewfinders in modern DSLRs appear tunnel-like.
Since the AE-1 has proven incredibly popular before you jump onto eBay, it might be worth asking relatives if they have it – you never know what might be hidden in a shoe box in the back of a closet. Otherwise, the best place to start tracking is eBay.
The good news is that nobody breaks the bank – a good condition AE-1 with 50mm f/1.8 shouldn’t set you back more than $150. Just be aware that a few issues can arise if not taken care of, namely poor light barriers and slow return of the reflex mirror resulting in a loud squeak.
The AE-1 may seem a little primitive now, but it helped open up more advanced features to a much wider audience. Relatively risk-free for the price, the Canon AE-1 is still a very capable SLR.